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"One can always get actors if one makes use of what one has,"
observed grandpapa.
"Now we'll go into the theatre. Here we will put up a book,
there another, and there a third, in a sloping row. Now three on the
other side; so, now we have the side scenes. The old box that lies
yonder may be the back stairs; and we'll lay the flooring on top of
it. The stage represents a room, as every one may see. Now we want the
actors. Let us see what we can find in the plaything-box.
The stage represents a room, as every one may see. Now we want the
actors. Let us see what we can find in the plaything-box. First the
personages, and then we will get the play ready. One after the
other; that will be capital! Here's a pipe-head, and yonder an odd
glove; they will do very well for father and daughter."
"But those are only two characters," said little Anna. "Here's
my brother's old waistcoat- could not that play in our piece, too?"
"It's big enough, certainly," replied grandpapa.
"It shall be
the lover. There's nothing in the pockets, and that's very
interesting, for that's half of an unfortunate attachment. And here we
have the nut-cracker's boots, with spurs to them. Row, dow, dow! how
they can stamp and strut! They shall represent the unwelcome wooer,
whom the lady does not like. What kind of a play will you have now?
Shall it be a tragedy, or a domestic drama?"
"A domestic drama, please," said little Anna, "for the others
are so fond of that. Do you know one?"
"I know a hundred," said grandpapa.
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Par
hokageb le lundi 21 février 2011
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